Oliver Wilde
Bei Stormbringer.at von 2010 bis 2013
ehemaliger Mitarbeiter
Bervorzugte Genres
Metal: Black Metal, (Funeral) Doom Metal, Progressive Metal
Nicht Metal: Pop Punk, Post Rock, OST, Industrial, Depressive Rock, Easycore
- REVIEW: NAER MATARON - Ζήτω ο θάνατος (Long Live Death)
- REVIEW: A Week of Sundays - Set Sail For The Stars
- REVIEW: Germ - Loss
- REVIEW: Urlog - Vernichtung
- REVIEW: Draugr - De Ferro Italico
- REVIEW: Xasthur - Nightmares at Dawn
- REVIEW: Karg - Apathie
- INTERVIEW: Fimbultyr - Urlog
- REVIEW: Epitome Of Frail - Society
- REVIEW: The Saddest Landscape - After the Lights
- REVIEW: Fuck Off And Die - Sociopathic Regression
- REVIEW: Germ - Wish
- REVIEW: Impiety - Ravage and Conquer
- INTERVIEW: Zarko/Woody - Monumentor
- REVIEW: Monumentor - Medusa's Throne
- REVIEW: Exxperior - Call for Sanity
- REVIEW: Belshazzar - Das Grab an der Bergspitze
- INTERVIEW: Malte - Belshazzar
- REVIEW: Esoteric - Paragon of Dissonance
- REVIEW: Heresiarch - Hammer of Intransigence
- REVIEW: An Autumn For Crippled Children - Everything
- REVIEW: Sunn O))) - ØØ Void
- REVIEW: Arroganz - Dark and Deathless
- REVIEW: Anal Cunt - The Old Testament
- INTERVIEW: Thoughts Paint The Sky - Thoughts Paint The Sky
- INTERVIEW: V. Wahntraum - Karg
- REVIEW: ARCHGOAT - Heavenly Vulva (Christ's Last Rites)
- REVIEW: Irrlycht - Schatten des Gewitters
- REVIEW: Thoughts Paint The Sky - Nicht Mal Mehr Wir Selbst
- REVIEW: Murw - Kanker
- REVIEW: Aurvandil - Yearning
- REVIEW: Bonjour Tristesse - Par un sourire
- REVIEW: Wardaemonic - Echoes of Ageless Flames
- REVIEW: Fimbulthier - Rise
- REVIEW: Old Silver Key - Tales of Wanderings
- INTERVIEW: Ära Krá - Ära Krá
- REVIEW: Stillborn - Los Asesinos del Sur
- REVIEW: Maybeshewill - I was here for a Moment
- REVIEW: Dødkvlt + Goats of Doom - Deatcult Ov Doomgoat
- REVIEW: Nargaroth - Spectral Visions of Mental Warfare
- REVIEW: Non Opus Dei - Eternal Circle
- REVIEW: Xasthur - Portal of Sorrow
- REVIEW: Vinterriket - Zwischen den Jahren
- REVIEW: Ära Krá - Ferne Tage
- REVIEW: Evoken - Quietus
- REVIEW: PANDEMONIUM - Promo 2010
- REVIEW: Galderia - Rise, Legion of Free Men
- REVIEW: Tsorer - Return to Sodom
- REVIEW: Unlearned - Pestilence from the West
- REVIEW: Schammasch - Sic Lvceat Lvx
- REVIEW: Extramensch - Extramensch
- REVIEW: Taxidermist - The Gore you can't Ignore
- REVIEW: Byfrost - Black Earth
- REVIEW: Overoth - Kingdom Of Shadows
- REVIEW: Warmblood - Timor Mortis
- REVIEW: Typhus - Grand Molesters of the Holy Trinity
- REVIEW: Dødkvlt - II
- REVIEW: Höllenpoetik - Höllenpoetik
- REVIEW: Belshazzar - II / VI
- REVIEW: Total Annihilation - 84
- REVIEW: Eibon - Entering Darkness
- REVIEW: Karg - Von den Winden der Sehnsucht #2
- REVIEW: Dodheimsgard - 666 International
- REVIEW: Vspolox - Sorrow Of The Past
- REVIEW: 40 Watt Sun - The Inside Room
- REVIEW: Isolfur - Pfad des Canis Lupus
- REVIEW: Ancestors Blood - When the Forest calls
- REVIEW: Sargeist - Let the Devil In
- REVIEW: Wedard - Eiskrieg II
- REVIEW: Phobia - Unrelenting
- REVIEW: NAZXUL - Totem
- REVIEW: Khors - Return of Abandoned
- REVIEW: FALKENBACH - Tiurida
- REVIEW: Impiety - Worshippers of the Seventh Tyranny
- INTERVIEW: Seb - Galderia
- REVIEW: Belshazzar - Demo 2010
- INTERVIEW: Johnny La Bomba - GLORYFUL
- REVIEW: GLORYFUL - Sedna's Revenge
- REVIEW: Weapon - From the Devil's Tomb
- REVIEW: Rejection - Hollow Prays
- REVIEW: Nachtmahr - Minas/Morgul Split
- REVIEW: Draugr - Nocturnal Pagan Supremacy
- REVIEW: Akrea - Lügenkabinett
- REVIEW: Throneum - Munity of Death